France at the forefront of music research | Tangente
France at the forefront!
It took many a political battle, but today France can pride itself on having world-class centers dedicated to music research.

It took many a political battle, but today France can pride itself on having world-class centers dedicated to music research.

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Since 1945, contemporary "art" music has become so diverse that any overview is now impossible. Yet technology and the introduction of some form of chance or randomness into composition remain ubiquitous.

One of the pioneers of the digital revolution in music was the composer Iannis Xenakis (1922–2001). Music has always had an underlying structure closely related to mathematics, but with a composer like Xenakis, this synergy found concrete expression.

The first iterative process in music gave rise to the Pythagorean scale. Since then, recursive processes have been widely used in musical composition, from Johann Sebastian Bach to contemporary music. Their use is limited only by composers’ imaginations!

In 1963, the celebrated composer Yannis Xenakis introduced a kind of arithmetic for musical composition, based on the notion of mathematical structure—in particular, that of a vector space. This artistic contribution lends itself wonderfully to scientific analysis.
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