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Maths and contemporary music

Since Pythagoras, we have known the close links between music and mathematics. In the 20th century, the greatest names such as Boulez, Xenakis or Schaeffer, vied with inventiveness, drawing on probabilities, symmetries and even chaos theory, to create new compositions. Since the advent of synthesizers, the game has been revolutionized and engineers collaborate on musical creations in organizations such as Ircam. Some draw inspiration from rhythms based on simple numerical ratios to revisit popular music such as Argentine tango.

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A century of mathematical music | Tangente

A century of mathematical music | Tangente

Since 1945, contemporary "art" music has become so diverse that any overview is now impossible. Yet technology and the introduction of some form of chance or randomness into composition remain ubiquitous.

Michel MoulisMay 14, 2019
Astor Piazzolla and tango nuevo:

Astor Piazzolla and tango nuevo:

The freedom championed by the rise of contemporary music led Astor Piazzolla to break free from the stifling conventions of classical tango, both harmonically and rhythmically, and create a new form. This evolution in musical structure can be analyzed.

DANIEL JUSTENSMay 14, 2019
Acoustics and computer music: Helmholtz | Tangente

Acoustics and computer music: Helmholtz | Tangente

Thanks to the work of Joseph Sauveur and later Hermann von Helmholtz on sound phenomena, we can analyze a sound in terms of its pitch, intensity and timbre. This is the analysis used in computer music, which is so popular with contemporary composers.

ERIC DECREUXMay 14, 2019
Atonal music: a rearguard debate | Tangente

Atonal music: a rearguard debate | Tangente

In 2013, Karol Beffa, a composer and improvising pianist who held a chair at the Collège de France, organized a lecture. Drawing on examples, he set out to demonstrate the continued existence of the tonal—or neo-tonal—system and the failings of an atonal system that he considered dogmatic, inaccessible to the ear and obsolete.

Michel MoulisMay 28, 2019
When mathematics enters musical composition | Tangente

When mathematics enters musical composition | Tangente

The deep connections between mathematics and music in the process of composition grew richer during the twentieth century.

La rédaction de TangenteMay 28, 2019
Oumupo: The workshop of potential music | Tangente

Oumupo: The workshop of potential music | Tangente

In 1960, François Le Lionnais and Raymond Queneau founded a collective dedicated to renewing literary forms: Oulipo (the Workshop of Potential Literature). From the outset, Le Lionnais considered extending this approach to other forms of expression.

ALAIN ZALMANSKIMay 28, 2019
France at the forefront of music research | Tangente

France at the forefront of music research | Tangente

It took many a political battle, but today France can pride itself on having world-class centers dedicated to music research.

La rédaction de TangenteMay 28, 2019