Fractions and music: when 3/4 is not equivalent to 6/8
Octaves, fifths, triplets… The rhythms and pitches of Western music were built on fractions.

Octaves, fifths, triplets… The rhythms and pitches of Western music were built on fractions.

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Pythagoras is often credited with the idea that everything is number. Less well known is that his view of mathematics was closely bound up with musical harmony—not only the "harmony of the spheres," but the actual construction of a musical scale using numbers.

The first iterative process in music gave rise to the Pythagorean scale. Since then, recursive processes have been widely used in musical composition, from Johann Sebastian Bach to contemporary music. Their use is limited only by composers’ imaginations!

Geometric shapes can be associated with different pieces of music to shed light on their structure. This can be done by defining a distance between musical events using the discrete Fourier transform applied to the bars of a score.

Mathematics and music were intertwined for centuries before gradually going their separate ways. Yet many composers remain attached to the language of numbers. Olivier Messiaen is a notable example: congruences play a part in the construction of his modes.
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